CV

Geboren / Born
1939    Plainfield, New Jersey
lebt und arbeitet in New York, NY / lives and works in New York, NY

Ausbildung / Education
1964    Master of Fine Arts, Rutgers, The State University of New Jersey
1962    Bachelor of Arts, Art History, Drew University, NJ

Einzelausstellungen / One Person Exhibitions

2017
1969 Gallery, New York, NY: You are Free, but not that Free

2016
Häusler Contemporary Munich, DE: Black Paintings
Gaa Gallery, Wellfleet, MA: Berlin Series and Gesture Project

2014
Kunstmusuem Liechtenstein, Vaduz, LI: Gary Kuehn: Between Sex and Geometry
Häusler Contemporary Zürich, CH: Gary Kuehn: Gestures and Twists

2013
Galerie Michal Haas, Berlin: Gary Kuehn

2011
Artissima 18, “Back to The Future,” Torino, IT; Häusler Contemporary: Gary Kuehn
Häusler Contemporary Zürich, CH: Gary Kuehn: Expression Suppression
Häusler Contemporary München, DE: Gary Kuehn: Selected Works – Four Decades

2009
Galerie Michael Haas, Berlin, DE: Berlin Series

2008
Museum Gegenstandsfreier Kunst, Ottendorf, DE

2007
Art Cologne, Galerie Michael Haas, Berlin, DE: Gary Kuehn Black Paintings
Galerie Haas AG Zürich, CH: Black Paintings
Korn Gallery, Drew University, Madison, NJ: Scrolls

2005
Esso Gallery, New York, NY

2003
Provincetown Museum, Provincetown, MA: Summer Figures

2001
Margarete Roeder Gallery, New York, NY: The Black Paintings 1972-73
Extension Gallery, Johnson Atelier, Mercerville, NJ

1998
Galerie Ricke, Köln, DE
Margarete Roeder Gallery, New York, NY

1997
Mitchell Algus Gallery, New York, NY

1996
Galerie Ricke, Köln, DE

1995
Margarete Roeder Gallery, New York, NY

1993
Douglas Drake Gallery, New York, NY
Margarete Roeder Gallery, New York, NY

1991
Margarete Roeder Gallery, New York, NY
Douglas Drake Gallery, New York, NY

1990
Margarete Roeder Gallery, New York, NY

1988
Galerie Jule Kewenig, Frechen, DE (Katalog / Catalog)
Douglas Drake Gallery, New York, NY
Galerie Sylvia Menzel, Berlin, DE

1986
Galerie Rudolf Zwirner Cologne, DE: Paintings and Sculpture (Katalog / Catalog)
Barbara Gladstone Gallery, New York, NY
Margarete Roeder Gallery, New York, NY
Art Galaxy, New York, NY

1983
Marion Locks, Philadelphia, PA

1982
Sergio Tosi Gallery, New York, NY

1981
Sergio Tosi Gallery, New York, NY

1980
Amerika-Haus, Berlin, DE
Douglas Drake Gallery, Kansas City, KS: New Paintings
Württembergischer Kunstverein, Stuttgart, DE: Berliner Serie (Katalog / Catalog)

1979
Museum Moderner Kunst, Wien, AT: Kunst der Letzten 30 Jahre

1978
Galerie Mueller-Roth, Stuttgart, DE; DAAD Galerie, Berlin, DE: Sculptors’ Drawings
Städtische Kunsthalle Düsseldorf und Kunstverein für die Rheinlande und Westphalen, Düsseldorf, DE: Museum des Geldes

1977
Documenta 6, Kassel, DE

1976
Moore College of Art, Philadelphia, PA: Collection in Progress
Eugenia Cucalon Gallery, New York, NY: The Animals Are Coming
Lunds Konsthall, SE: Americans
Carl Solway, New York, NY: Drawings
University Art Gallery, Rutgers, The State University of New Jersey, New Brunswick, NJ: Twelve from Rutgers
Fine Arts Building, New York, NY: Sculptor’s Drawings
PS 1, Long Island City, NY: Rooms  (PS1), organized by Institute of Art and Urban resources
Merriewold West Gallery, Far Hills, NJ: Outdoor Sculpture
Portland Art Museum, Portland, OR: Masterworks in Wood – The Twentieth Century
The Aldrich Museum of Contemporary Art, Ridgefield, CT: A Change of View
Schloss Morsbroich, Leverkusen, DE: USA Drawings

1974
Galerie Arnesen, København, DK: International Sommerudstilling
Merriewold West Gallery, Far Hills, NJ: New Jersey Artists
Schloss Morsbroich, Leverkusen, DE: 4X Minimal Art: Jo Baer, Gary Kuehn,
Bruce Nauman, Richard Serra
New Jersey State Council of the Arts, Traveling Exhibition, Trenton, NJ: Curators’ Choice

1973
Margo Leavin Gallery, Los Angeles, CA: Sculptor’s Drawings
Kunstverein Stuttgart, Stuttgart, DE: Mit Kunst leben

1972
Galerie Ricke, Köln, DE: New Graphics
Neue Galerie der Stadt Aachen, Aachen, DE: Der Bestand 1972, Art around 1970
The University of Iowa Museum of Art, Iowa City, IA (an exhibition from the collection of Mr. and Mrs. Ulfert Wilke): Very Small Paintings/Objects/Works on Paper

1971
Von der Heydt-Museum, Wuppertal, DE: Five Collectors – Art of our Time

1970
Galerie Ricke, Köln, DE: Programm III
Videogalerie Gerry Schum, Hannover, DE: Identifications
Galerie Ricke, Köln, DE: Zeichnungen amerikanischer Künstler

1969
Galerie Ricke, Köln, DE: 6 Künstler der Galerie Ricke: Artschwager, Bollinger,
Buthe, Kuehn, Serra, Sonnier
Austin Arts Center, Austin, TX: New Materials, Procedures in Sculpture
Kunsthalle Bern, CH; Museum Haus Lange, Krefeld, DE; ICA, Institute of Contemporary Art, London, UK: Live in your Head. When Attitudes Become Form
Städtisches Museum, Ludwigshafen, DE: Syntheses
Whitney Museum Sculpture Annual, New York, NY

1968
Modern Art Museum, München, DE: New Art USA Baroque-Minimal
Galerie Ricke, Köln, DE: Programm I

1967
Gürzenich, Köln, DE: Kunstmarkt Köln ‘67

1966
John Herron Museum, Indianapolis, IN: Painting and Sculpture Today
Kent State Invitational, Kent, OH
Los Angeles County Museum of Art, Los Angeles, CA and The Philadelphia Museum of Art, Philadelphia, PA: American Sculpture of the Sixties
Noah Goldowsky Gallery, New York, NY: 2nd Annual Arp to Artschwager
The New Jersey State Museum, Trenton, NJ: Geometric Art: An Exhibition of Paintings and Constructions by Fourteen Contemporary New Jersey Artists
Whitney Museum of American Art, New York, NY: Annual Exhibition of Sculpture and Prints
Bianchini Gallery, New York, NY: Ten from Rutgers
Noah Goldowsky Gallery, New York, NY: Arp to Artschwager
Fischbach Gallery, New York, NY: Eccentric Abstraction
Larry Aldrich Museum, Ridgefield, CT: John G. Powers Collection

Ausgewählte Bibliografie / Selected Bibliography

1. Texte und Interviews des Künstlers / Writings and interviews by the artist
“Statements,” 1970, in: Gerry Schum, Amsterdam, 1980, p. 76.
“Notes in a Sketchbook,” in: Gary Kuehn, Neue Galerie der Stadt Aachen, Aachen 1971.
Interview (with W. Becker), in: Gary Kuehn, Neue Galerie der Stadt Aachen, Aachen 1971.
Interview (with B. Catoir), Kölner Stadt Anzeiger, 2.3.1971.
“Artists on their art,” Art International, March 1968, vol. XII/3, p. 57.

2. Sekundärliteratur in Zeitschriften und Katalogen / Secondary literature in Periodicals and Catalogs
“Gary Kuehn,” Arts, February 1973, vol. 47, p. 74.
“Gary Kuehn”, Arts, December 1969, vol. 44, p. 57.
“Integral Abandon,” Studio, November 1969, vol. 178, p. 182.
“New York,” Art International, April 1967, vol. XI/4, p. 62.
“…Pink Drip,” Art in America, March 1967, Spring, vol. 55.
“Gary Kuehn,” Art News, April 1966, vol 65/2, p. 17.
Baker, Kenneth, “Gary Kuehn,” Art in America, March 1977, vol. 65, p. 110.
Berry, Ian and Jack Shear, Twice Drawn: Modern and Contemporary Drawings in Context, Prestel Publishing: New York, 2011, p. 276, 292.
Burton, Scott; “Gary Kuehn,” Art News, March 1967, vol. 66/1, p. 15.
Campbell, Lawrence, “Gary Kuehn,” Art News, March 1971, vol. 70, p.59.
Crow, Thomas, “Head Trip,” Artforum, September 2013, vol. 52 no.1, p. 320-325
Goodman, J., “Gary Kuehn,” Arts, November 1974, vol. 49, p. 26.
– “Post-Minimal Artists,” Arts, summer 1975, p. 30.
– “Gary Kuehn,” Arts, October 1977, vol. 52, p. 24.
– “Gary Kuehn,” Art News, February 1978, vol. 77, p. 141.
– “Gary Kuehn,” Craft Horizon, February 1978, vol. 38, p. 63.
Groos, Ulrike, Barbara Hess, Ursula Wevers, Ready to Shoot: Gerry Schum, Videogalerie Schum, Kunsthalle Düsseldorf, Snoeck Verlagsgesellschaft mbH, Cologne, Germany, 2003, pp. 204-205.
Herrera, Hayden, “Gary Kuehn Sculpture 1963-1985,” in: Gary Kuehn, Galerie Rudolf Zwirner, Cologne, New York 1985.
– “Introduction,” in: Gary Kuehn, Galerie Jule Kewenig, Frechen 1988, pp. 1-2.
Hinant, Cindy, “Bad Posture,” Joe Sheftel Gallery, 2013
Hoffman, Donald, “Adventurous Dealers,” Art News, January 1975, vol. 74, p. 79.
Kaprow, Allan, “Ten From Rutgers,” in: Bianchini Gallery, New York, 1965.
Kingsley, April, “Gary Kuehn,” Arts, February 1973, vol. 47, p. 74.
– “New York Letter,” Art International, March 1973, vol. XVII/3, p. 49-50.
– “Gary Kuehn,” Artforum, May 1974, vol. XII, p. 67.
– “Gary Kuehn,” Arts, April 1974, vol. 48, p. 66.
Leighten, Patricia, “Gary Kuehn – Metaphor and Metamorphosis,” in: Gary Kuehn, Galerie Jule Kewenig, Frechen 1988, pp. 4-21.
Linville, Kasha, “Gary Kuehn,” Artforum, May 1971, vol. IX, #9, p. 79.
Lippard, Lucy, “Eccentric Abstraction,” Art International, November 1966, vol. X/9, pp. 28-34.
Mellow, James R., “New York Letter,” Art International, Sept. 1966, vol. X/7, p. 57.
Meyer-Stoll, Christiane, Gary Kuehn: Between Sex and Geometry, Kunstmuseum Liechtenstein, Snoeck Verlagsgesellschaft mbH, Cologne, Germany, 2014
Mignot, Dorine, “Gerry Schum,” Stedelijk Museum, Amsterdam, 1981.
Pincus-Witten, Robert, “Gary Kuehn,” Artforum, January 1970, vol. XIII/1, pp. 68-9.
Princenthal, Nancy, “Gary Kuehn at Margarete Roeder,” Art in America, January 1996, vol. 84, p. 93.
Ratcliff, Carter, “Gary Kuehn,” Art International, January 1970, vol. XIV/1, p. 94.
Rose, Julian, “Gary Kuehn, Joe Sheftel,” Artforum, February 2014, vol. 52, no 6, p. 216
Rosenstein, Harris, “Gary Kuehn’s Pressure Principle,” Art News, December 1969, vol. 68, pp. 54-58.
Schick, Ulrike, “Zwischen Sein und Schein, Anwendung oder Anmutung/Between Appearance and Reality, Seamingness and Application,” in: Gary Kuehn, Museum gegenstandsfreier Kunst, Otterndorf 2008.
Sommer, Ed, “Cologne Letter,” Art International, January 1968, vol. XII/1, p. 54.
Tuchman, Phyllis, “American Art in Germany,” Artforum, November 1970, vol. IX, # 3, pp. 58-69.
Vowinckel, Andreas, “Gary Kuehn Berliner Serie,” in: Gary Kuehn, Württembergischer Kunstverein, Stuttgart in Zusammenarbeit mit dem DAAD, Stuttgart 1981, pp. 7-14.
– “Anmerkungen zur Malerei und Skulptur von Gary Kuehn,” in: Gary Kuehn, Galerie Jule Kewenig, Frechen 1988, pp. 97-115.
Waldman, Diana, “Gary Kuehn,” Arts, June 1966, vol. 40, p. 55.
Wellish, M. “Material Extension in New Sculpture,” Art News, Summer 1971, vol. 45, p. 26.
Zwirner, Dorothea, “Schwarze Bilder/Black Paintings,” in: Gary Kuehn, Galerie Haas, Zurich 2007.
-Gary Kuehn: Five Decades, Hatje Cantz, Ostfildern, 2013

Öffentliche Sammlungen / Public Collections

Albertina, Vienna, Austria
Bonn Städtisches Kunst Museum, Bonn, Germany
Bristol-Meyers Squibb Corporation
Continental Corporation, New York, New York and Cranbury, New Jersey
Denver Museum of Art, Denver, Colorado
First Bank of Minneapolis, Minneapolis, Minnesota
Hamburger Bahnhof, Museum für Gegenwart, Staatliche Museen zu Berlin, Germany
Kröller-Müller, Otterloo Museum, Germany
Kunstmuseum St. Gallen, Switzerland
Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
Ludwig Forum für Internationale Kunst, Aachen, Germany
Lehmbruck Museum, Duisburg, Germany
Mark Twain Bancshares, St. Louis, Missouri
Museum of Modern Art, Quito, Ecuador
Museum Ludwig, Cologne
MoMA Museum of Modern Art, New York, New York
Museum Abteiberg, Mönchengladbach, Germany
Museum Haus Konstruktiv, Zürich
Museum Morsbroich, Leverkusen, Germany
Museum für Moderne Kunst MMK Frankfurt am Main, Germany
Museum Moderner Kunst, Frankfurt, Germany
Museum of Modern Art, Vienna, Austria
Neues Museum Nürnberg, Germany
New Jersey State Museum, Trenton, New Jersey
Newark Museum, Newark, New Jersey
Sammlung Fried, Ulmer Museum, Ulm, Germany
Staatliche Graphische Sammlung München, Munich, Germany
Städtisches Museum, Leverkusen, Germany
Staatsgalerie, Stuttgart, Germany
Stedelijk Museum, Amsterdam, Netherlands
Von Der Heydt Museum, Germany
Wadsworth Atheneum, Hartford, Connecticut
Weatherspoon Art Gallery, U.N.C., Greensboro, North Carolina
Whitney Museum of American Art, New York, New York

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